Ebene News – GB – Legendary reggae toaster U-Roy dies at 78

The “creator” of toast on record helped revolutionize sound system culture in Jamaica – and inspire the birth of hip-hop

Legendary U-Roy toaster has died aged 78, Trojan Records representative confirmed No cause of death has been released

British reggae DJ David Rodigan was among those who paid tribute, describing U-Roy as “the paradigm of Jamaican music… I have always been in awe of him; the tone of voice, cadence, lyrical sparkle and riddim riding made him “the adventurer of the soul” “Ali Campbell of UB40 hailed him as” a true inspiration, [opening] the through many generations and creating sound that will live on forever! Shaggy said: “Today we lost one of our heroes !!”

U-Roy was not the first toaster, but he came to be known as “the Creator” for being the first to put his distinctive vocal style on record, spawning a phenomenon and inspiring creation. of hip-hop “His rich-toned voice proclaimed sizzling, jive-saturated lyrics rather than just inserting a few phrases,” wrote a reviewer for Reggae Vibes. long, rather than intervening at crucial points “

U-Roy was born Ewart Beckford in Kingston, Jamaica, in 1942 His family was a musician, his mother performing in the choir of a local Seventh-day Adventist church He first DJed at the age of 14 years old “My mother used to say to me: why not trim and shave because you will look a much nicer boy?” he told United Reggae “And I was like, ‘Listen mom, I didn’t tell you not to be a Seventh-day Adventist I didn’t tell you not to play that organ in this choir I’m going to do what I have to do and I won’t disrespect you But what I believe in is what I believe in “

He started his professional career in 1961, playing on the sound system owned by Dickie Wong, who ran the label and club Tit for Tat (where Sly Dunbar met Robbie Shakespeare) in Kingston He evolved between sound systems before a period as top DJ on King Tubby’s Hometown Hi-Fi system in the late 1960s

The elongated dub versions of King Tubby allowed U-Roy to expand his inventive vocal style “This is where things started to get better for me,” he told the LA Times in 1994

In Bob Stanley’s pop story Yeah Yeah Yeah, singer Dennis Alcapone describes seeing the duo perform live “He and U-Roy start dancing as usual, and after a while, he plays You Don’t Care by the Techniques, then he switches to the dub version and after a few lines all the audience could hear was pure rhythm Then U-Roy came in toast and they went crazy “

In 1969, U-Roy made his first recordings, with Keith Hudson, Lee Perry, and Peter Tosh, though his escape came a year later when John Holt saw U-Roy DJing and grilled on the song Holt, Wear You to the Ball, and told producer Duke Reid to work with him

Their partnership spawned three immediate hits, Wake the Town, Rule the Nation and Wear You to the Ball, along with two dozen more singles, and inspired a stampede of producers looking to work with DJs on record. “Before that, the DJ wasn’t something people took seriously,” he told the LA Times. “I didn’t really take it seriously People weren’t really used to it. kind of things “

U-Roy released hundreds of singles during the ’70s, including a string of hits with Bunny Lee A deal with Virgin led to the album Dread in a Babylon, produced by Prince Tony Robinson It boosted the popularity of U-Roy in the UK, where he counted Joe Strummer as a fan

Across the Atlantic, DJ Kool Herc and Coke La Rock took the approach of U-Roy and the Kingston sound at their Bronx parties to set them apart from the mid-night disco scene. 1970s, improvising on Space Echo and inventing their own slang Kool Herc’s Bronx building would be recognized as the birthplace of hip-hop

Undeterred by his recording success, U-Roy returned to sound systems culture, launching his own, Stur-Gav, to elevate a new generation of toasters including Shabba Ranks, Ranking Joe and Charlie Chaplin “It was the greatest pleasure of my life when I started doing this,” he told United Reggae

While active as a performer in the 1980s, U-Roy barely re-recorded until 1991 – when he moved to Los Angeles – when British producer Mad Professor invited him to appear on True Born African album He spawned another lasting creative partnership U-Roy’s latest album, Talking Roots 2018, was also produced by Mad Professor “From my 15 years, when I heard Version Galore, I wanted to work with U-Roy, ”Mad Professor tweeted on Thursday

In 2019 he was “crowned” by Shabba Ranks in New York, who called him “di Picasso of our music” That year he also recorded a new album, Gold: The Man Who Invented Rap , with Sly and Robbie, Zak Starkey on guitar and Youth of Killing Joke in production, with guest appearances by Mick Jones of the Clash, Santigold, Shaggy and Ziggy Marley among others A release date is planned for the summer

Reflecting on his post, U-Roy told the LA Times, “I’m just talking about oneness with people I’m not really trying to put people down or anything like that Violence is very ugly and love is very beautiful I’ve never been to college or anything like that, but i have some common sense, and what i learn i make the most of you know “

• This article was last modified on February 18, 2021 An earlier version said that Hall and Oates sampled a song by U-Roy on their song Soldering; it was by the Starlights

U-Roy

Ebene News – GB – Legendary reggae toaster U-Roy dies at 78

Source: https://www.theguardian.com/music/2021/feb/18/u-roy-legendary-reggae-toaster-dies-aged-78